Archive for April, 2008

Interview: American Steel

Posted in Uncategorized on April 16, 2008 by Schmitty

American Steel…where do I begin? A little over 10 years ago I discovered American Steel and little did I know, at that point, they would become one of my favorite bands of all time. Shortly after my initial discovery, on a warm night in the back of Sound Idea Records, I finally got the opportunity to see them play in support of Ann Beretta. They absolutely blew my mind. From that point on I became enamored with American Steel and they have been my favorite band ever since. Years passed, they formally dissolved and returned as Communiqué, and then to the adulation of a huge chunk of the underground music community they regrouped some time last year. This past winter I was afforded the opportunity to interview the band. Below is one of the two interviews that I received in return. Ladies and gentlemen, introducing a band that needs no introduction, American Steel!

 

Who am I speaking with?

Rory.

How and when did you become actively involved in music?

I had piano lessons as a boy, as well as playing in the school music programs growing up. I first became really passionate about music when I took up guitar and began writing my own songs when I was 12. Although before that I was always tinkering on whatever was about, mainly inventing my own melodies.

One thing has always impressed me with American Steel (and extending to Communiqué) is that on the outside, from the fans perspective, friendship seems to be the foundation of the band. How important is friendship to the band?

Very important. We started off as a bit of a party band, playing together for something to do with ourselves. We were sitting around drinking beer together anyway, so starting a group was a step towards being somewhat constructive. I would not be in a group where I was not friends with the others.

Steve Loewinsohn 

Photo by: Steve Loewinsohn

Take me back to 1995 when American Steel first started. Beyond the obvious (progression of song writing, etc.), how have things changed for you as a band? 

Well, we used to just spend hours playing songs that I had written the previous years, drinking beer, switching off instruments and generally having a laugh. Our first shows were parties, but things sort of fed themselves. Our first club show we were offered a record, and we ran with it because it was good fun. We booked our own tours, eventually other labels, bands were interested and we began to grow out the basements. That is, they were starting to get dangerous. It stayed fun until we stopped in 2001. With some time away, we’re having fun again and have the same spirit as when we first started.

What effect if any has that had on your personal life?

Playing music has been the dominant element in my life for at least 15 years. Aside from my family it really has guided me everywhere I’ve gone, everyone I’ve met, almost everything I’ve done. It’s been a great adventure, I think especially coming from the underground.

Back in 1995 did you ever think that you would get the opportunity to record three EPs and four LPs, and go on countless tours all over the place playing with some really amazing bands?

I hoped we would, but I had no illusions much less the ambitions frankly. I’ve always been up for some fun and adventure, and I’ve gone where the wind was blowing for much of my life. I really wouldn’t change anything.

Initially American Steel ceased to be after you had gone on some pretty high profile tours namely with Murder City Devils (who were at their height of popularity) and Hot Water Music. When you reformed under the American Steel moniker was there a conscious decision to pick up where you left off, or did you go into things with an attitude of whatever happens happens, and let’s just take things as they go?

I’d say more the latter as there wasn’t much in the way of premeditation. Although, it did feel like picking up right from where we left off in many different ways.

All of you have been playing music for the better part of your lives. Are there any drawbacks to being a musician?

Money. I don’t mind being poor, but we’ve all delayed some non musical intellectual ambitions to be in a band. Many bands hang it up by a certain age if they haven’t made enough to live on. It’s sad really, sadder still that many fans have an air of entitlement about the music they choose to listen to. Some even believing that bands should play only out of love and specifically make no money. Which most do, and only seek to make a meager living where they can pay rent, and don’t have to work the kind of jobs that either allow you to go on tour or are insignificant enough to leave forever when it’s time to tour. That is, jobs most music fans wouldn’t deign to work themselves. And no, bands don’t make any money on tour unless they are drawing over 1,000 people every night, so people will need to find another way to justify not paying for music. It’s disgusting that so many people have no respect and almost disdain for those who spend their lives creating the music they so enjoy.

Photo by: Chrissy Piper

Being in a band can make you feel the highest of highs and sometimes the lowest of lows. What keeps you going as a band?

Ultimately the same thing that got us started, the love of writing and playing music. That’s all there is for most of us. 

What was the last ingenious thing that you’ve done?

Uh… Maybe the avocado serrano chili salsa I made a few days ago. 

You all seem to big soul fans like myself. What underdog groups/artists do you think more people should know about? Personally I think more people should listen to Frank Wilson, Mary Wells, and the Velvelettes.

First, fans of soul music should buy Sam Cooke “Live at Harlem Square” if they do not already have it. It’s amazing, and will surprise casual fans of The Cooke. Also, hearing Nina Simone cover Nick Drake is equally transcendent. I would definitely suggest looking for rare and non cd released recordings from well known artists. Like Al Green’s and Stevie Wonders’ rad Beatles covers. 

This question might be a bit cryptic, but what song would you want to be played at your funeral?

Adagio For Strings by Samuel Barber. That’s incredibly somber, so I would want to lighten the mood by having Rodney Dangerfield interrupt the service with a keg of beer to “Louie Louie” by the Kingsmen. “Hey, we’re all gonna get laid!”

Any last words of inspiration or comments?

Be good.

For tour dates and more, visit their website at www.americansteel.org

 

News Update

Posted in Random Thoughts on April 15, 2008 by Schmitty

Some personal issues have arisen in the last month or so, and I’ve tended to slack on both updating this site and continue to work on the tangible issue (number one). Sorry about that! I am feeling better now, and am motivated to get back to work. There are a few exciting things on the horizon.

First, a local band asked if I would be interested in accompanying their CD with either a half or whole issue of of Sink or Swim. Since I want to bring my a-game for issue one, I’ve decided to lend my services to this local band with a one off issue of Sink or Swim to be titled as issue # 1/2 and will be a double sided 4 1/4″ x 11″ mini zine. Odds are that issue 1/2 will only be available with the purchase of the CD. Please get in touch if you are interested.

Also in the forthcoming days I will be uploading an American Steel interview. When I interviewed American Steel late last year via email, both John and Rory replied leaving me with two interviews. After some thought about what to do with them both, I decided to upload Rory’s interview on this site, and save John’s for issue one.

As always, if you are interested in submitting some sort of contribution to Sink or Swim, please get in touch!

My 90’s Alt Rock Past Raises It’s Ugly Head Once Again

Posted in Random Thoughts on April 9, 2008 by Schmitty

Let me take you back to a time back in the early 90’s, a time when bands straddled the fence between punk and alternative, a time that I would consider my formative years leading me to become the man that I am today.

I came of age during a really exciting time. I distinctly remember hearing the Clash, the Specials, and Madness on the radio. I remember seeing Billy Idol on MTV and making my dad take my brother and I to Shalimar in the mall to get spiked bracelets. You’ll have to excuse me for not being so punk then, and making the bracelets myself. I was only seven after all. My brother and I would spike our hair and wear our bracelets to school. Yeah, we were pretty cool…I guess. But when it came down to it, I only did those things because my brother did, and when he stopped listening to the Clash and Billy Idol, so did I. I have lovingly dubbed that period of my life between the years and when I discovered punk (in some shape or form) again the lost years. It seems that I incurred a nasty habit of listening to Billy Ocean and New Edition back then.

It wasn’t until sixth grade when I heard of a few bands that had really weird names like Anthrax and Suicidal Tendencies. I also started talking more at length to my cousin Chrissy that had different colored hair, though of nothing really substantial. I also started taking notice of a friend of my brothers at church. He would always wear a shirt to church that had a skeleton holding a glass of something, and said Social Distortion in big red letters across the top. I was intrigued, though I never went up and talked to him about music until a few years later.

And then something happened around eighth grade. Among all of the other mediocre radio rock and pop forcing itself through the sound cones of my speakers, I came across to show called 120 Minutes on MTV. It was as if Pandora’s Box had opened, and led me to the slippery slope of being obsessed  with music that I’ve been sliding down ever since.  The Pixies, Mudhoney, Husker Du, and the Replacements were some of my favorite bands back then, and low and behold I still love them to this day. I decided to include a list of some of my favorite albums from the 90’s that are still as amazing to me today as they were back then. Enjoy! 

Archers of Loaf- Icky Mettle

What a great album this is. Punchy and quirky in some places and chaotic in others, the band just seemed like they were on the verge of self destruction making the music fun to listen to. There was just something about their lyrics where they seemed to not make a lick of sense, yet were still catchy as hell. I always felt like underneath it all there was some sense in there, and I am probably an idiot for not noticing. All in all an amazing record of which I still listen to today.

Jawbox- For Your Own Special Sweetheart

Where do I begin with Jawbox? This record takes me back. I remember my cousin introducing me to Jawbox, and I remember correctly this was the album she introduced them to me with. The songs are dense and interesting, the rhythms intricate, solid and pounding. Lyrically the songs range from emotional to obscure. This album would sit in great company with bands like Leatherface and A Death In The Family.

Jesus Lizard- Head

My god…chaotic songs, howling vocals, interesting rhythm changes. I’ve always felt that this band was more talented and more deserving of radio airplay than Nirvana.

Superchunk- No Pocky for Kitty

No Pocky for Kitty was definitely another one of those albums that defined a time and a place for me. The songs are catchy and more straight foreword than some of their later material. One of the best indie/pop punk records ever! I never understood why they had the opening slots for one of the last Get Up Kids tours.

The Pixies- Trompe le Monde

Trompe le Monde was the first Pxies record that I ever heard. Though it may not have been their best, it is still an amazing record. The Pixies indeed set the standard for early ’90s indie/alternative bands. Like some of the previously mentioned records, this record was both chaotic and melodic in all of the right places. 

Quicksand- Slip

I’ll just come out and say it, if it weren’t for Quicksand and Fugazi, there never would have been my (and many others) beloved Hot Water Music. Quicksand hit the nail on the head practically creating the sound that would be imitated by multiple post punk/hardcore bands for years to come. Heavy songs filled with groove that was just absolutely mind blowing. I played this the other day for the first time in years, and I was once again floored.